Laid down on the grand in Room A at Grant Street Studios, Halfway to a Song is Clive Hawthorne at his most bittersweet–a piano ballad about love that almost found its melody but never made it to the chorus. Every note carries the ache of something unfinished, yet unforgettable.

Recorded in one unbroken take at Grant Street Studios, I Won’t Go Quiet is Clive Hawthorne at full flame — a defiant piano-driven anthem about finding your voice and refusing to let it fade. Every chord is a stand, every lyric a declaration that strength doesn’t have to shout to be heard.

Bouncing out of the grand at Grant Street Studios, All This Life is Clive Hawthorne’s open-window anthem–a piano rocker that soaks up every imperfect, beautiful second. Quick riffs, rolling drums, and a grin you can hear in every line make it a celebration of the little things that make life big.

Tracked with a bounce and a wink at Grant Street Studios, She’s Not Coming Back is Clive Hawthorne at his most playfully self-aware–a piano-driven pop tune that hides heartbreak under hooks and just enough charm to make you grin through the sting.

Recorded with a smile and a stack of LPs at Grant Street Studios, My Records is Clive Hawthorne’s doo-wop–kissed love letter to the vinyl that’s been his lifelong soundtrack. Handclaps, warm piano, and stories in every groove make it a spin worth savoring — just like the records he sings about.

Bouncing out of the keys at Grant Street Studios, Jessica finds Clive Hawthorne riding an upbeat R&B groove wrapped in bright piano, sharp horns, and a lyric about the kind of woman you never quite catch — but never forget. It’s playful, fiery, and impossible not to move to.

Cut in a single, late-night take at Grant Street Studios, One for the Road is Clive Hawthorne at his raw best–all smoke, piano, and unfiltered truth. It’s a barroom confessional wrapped in melody, lifting a glass to the love, the losses, and the lines that never made it to paper.

Tracked with a grin at Grant Street Studios, Maybe, Baby is Clive Hawthorne’s playful nod to doo-wop charm — all swinging piano, handclaps, and cheeky horn stabs. It’s flirty, it’s fun, and it’s the kind of song that dares you not to smile while you move your feet.

Recorded under low lights at Grant Street Studios, Record Store Girl is Clive Hawthorne at his most tender — a slow-burn ballad wrapped in soft piano, swelling strings, and a love story too shy to speak its name. Every verse drips with longing, every chorus feels like the courage that almost comes.

Recorded in a single, hushed take at Grant Street Studios, I’ll Be Here is Clive Hawthorne’s love letter to his newborn daughter–a tender lullaby of promises, hope, and unconditional love. Soft piano, whispered choruses, and a voice heavy with emotion make it one of Clive’s most intimate recordings.