OUT OF FRAME,

By Glass Runner

Glass Runner’s Out of Frame is pure 1986 neon melancholy — synths glowing like city lights, guitars cutting through the haze, and choruses built for midnight drives. From the first-jolt rush of Midnight Arcade to the bittersweet pulse of Rebecca and the cinematic ache of Just a Game, the album turns heartbreak and hope into widescreen pop drama. Every track feels like a flicker of memory you can’t quite shake.

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Midnight Arcade

Tracked at GSR studios just after midnight, Midnight Arcade captures Glass Runner at their sharpest–chasing that perfect synth line while the city still buzzed outside. Rumor has it the final take happened on the first try, with the band fresh from an all-night run at their favorite boardwalk arcade.

Midnight Arcade (Live)

Captured at full volume in front of a sold-out crowd, this Midnight Arcade explodes with raw energy. The Atlantic City crowd roars, the synths scream, and every chorus feels like the floor could lift right off the pier.

Catching Up to You

Recorded late one summer night at Grant Street Studios, Catching Up to You is Glass Runner at their most personal. Written about a lifelong friend who was always just out of reach, it’s a rush of synth and emotion–the sound of chasing someone who makes you run faster.

Catching Up to You (Acoustic Guitar)

Stripped to nothing but voice and one acoustic guitar, this version of Catching Up to You cuts straight to the bone. Every note aches, every pause hangs heavy–the sound of old memories you can’t outrun.

Out of Frame

Recorded under low lights at Grant Street Studios, Out of Frame drifts between dream and reality–a synth-laced meditation on the moments that slip away but never truly leave. Glass Runner turns missed connections into moving pictures, every note a soft flicker on an endless reel.

Out of Frame (Live Rockland Cover)

On a packed night at the Majestic Theatre in NYC, Rockland reimagines Out of Frame as a soaring rock ballad. The guitars roar, the crowd sings every word, and that once-delicate chorus becomes a stadium-sized confession.

Seconds Ago

Captured in one unbroken take at Grant Street Studios, Seconds Ago is Glass Runner at their most delicate — slow, shimmering synth lines wrapping around a story of words left unsaid. It’s the sound of a moment slipping through your fingers before you even know it’s gone.

Seconds Ago (Live Radio Studio Cut)

Recorded in front of 1,500 fans, this special Seconds Ago performance turns the slow-burn heartache into an electrified, soaring anthem. The crowd felt every rise and fall as Glass Runner pushed the tempo, pouring emotion into every beat until the final note hung in the air like it would never fade.

Better Than Before

Tracked under the glow of neon racks at Grant Street Studios, Better Than Before is Glass Runner breaking out of the shadows with a rush of synth, pulse, and pure second-chance fire. Every hook is a victory lap, every chorus a shot of daylight–the sound of coming back stronger than you ever thought you could.

Better Than Before (Ludlow Saints Cover)

Lex knew exactly what would happen when Diamond Vice got their hands on Better Than Before — and they didn’t hold back. Synth lines gave way to screaming guitars, pounding drums, and a stadium-sized chorus that turned the GSR stage into a hair metal victory cry.

It’s OK

Recorded in a single late-night session at Grant Street Studios, It’s OK is Glass Runner’s hand on your shoulder — a mid-tempo synth lifeline for the moments you don’t think you can push through. Soft pads, steady beats, and a chorus that feels like breathing again make it one of the band’s most quietly powerful tracks.

It's OK (Live Version)

In front of 2,500 fans, It’s OK became something else entirely–a full-throttle, high-energy anthem with every voice in the room singing back at the stage. The synths roared, the guitars punched through, and the final chorus turned into a massive, unified shout of defiance and hope.

Rebecca

Laid down in the amber-lit Room B at Grant Street Studios, Rebecca is Nico’s open diary set to synth and steady groove — a mid-tempo confession about the first time his heart ever caught fire. Every verse is a snapshot, every chorus a rush, as Glass Runner turns one teenage name into an eternal anthem.

Rebecca (Clive Hawthorne Cover)

Clive Hawthorne takes Rebecca to church with a pounding piano, aching strings, and soul that seems to stretch for miles. Every note feels like a memory breaking open, and by the final chorus, the whole room is holding its breath.

Just a Game

Cut deep into the night at Grant Street Studios, Just a Game shows Glass Runner at their most cinematic — all pulsing synths, shadowy verses, and a chorus that hits like betrayal in slow motion. It’s the sound of realizing love was never love at all… just a perfect performance with a broken ending.

Just a Game (Fourth Halo Cover)

Fourth Halo (with help from new comer, Camryn) flips Just a Game into a sleek, hook-heavy pop rush. With shimmering harmonies and a dance-floor backbeat, the boy band turns heartbreak into something you can move to.

One More Night

Laid down in the violet glow of Grant Street Studios, One More Night is Glass Runner’s plea caught between hope and goodbye. Mid-tempo synths pulse like a second hand, wrapping around lyrics that beg for just one last spark before it all slips away. It’s equal parts urgency and surrender.

One More Night (Duane Vale Cover)

Duane Vale slows One More Night to a heartbeat, stripping it into a soul-soaked piano ballad that aches from the first note. Every line lands heavy, every pause lingers–the kind of performance that leaves the room silent and your chest aching long after it ends.

Back to You

Cut in the early hours at Grant Street Studios, Back to You is Glass Runner in full stride — bright synths, sharp guitars, and a hook that refuses to let go. It’s the soundtrack to every time you swore you’d moved on, only to find yourself right back where you started.

Back to You (Funky Remix)

When GSR’s own Big Z stepped into the control room, he promised to “make it more funky” — and he delivered. The Back to You remix swaps in slap bass, tighter drum grooves, and a dance-floor shimmer that turns heartbreak into pure, irresistible motion.