Cut with soaring power at Grant Street Studios, Let Me Be the One is Kendra at her most commanding–a sweeping ballad that blends vulnerability and unshakable resolve. From the hushed opening notes to the full-throttle key change, it’s a masterclass in emotion, delivered by a voice built to break hearts and lift spirits in the same breath.

Recorded in a single, tear-stained session at Grant Street Studios, Light in the Hallway Glow is Kendra’s most personal performance–a deeply moving tribute to her late mother. Soft piano, gentle strings, and a voice on the edge of breaking carry a song built from memories, little moments, and the kind of love that never leaves.

Captured in a glowing late-night session at Grant Street Studios, Love Forever is Kendra’s open-letter ballad–a sweeping declaration of devotion, gratitude, and the kind of love that leaves an imprint long after it’s gone. Her voice carries every word like it’s etched in stone, turning quiet confession into timeless promise. 

Blazing out of Grant Street Studios, High Enough is Kendra’s unapologetic stand–a powerhouse anthem about breaking limits, silencing the doubters, and claiming the life you were born to live. With gospel-tinged backing, a sky-high key change, and a final belt that shakes the walls, it’s pure, unfiltered fire. 

Kendra wrote When It’s Quiet just weeks after moving out of the apartment she shared with her longtime partner. Surrounded by half-packed boxes and echoes of a life she couldn’t quite leave behind, she sat at her kitchen table with only a coffee cup, a piano, and the silence. That night at Grant Street Studios, she poured every ounce of that hollow, aching stillness into this ballad — a song about how the quiet can hold more truth than the noise ever could.

Kendra co-wrote What If We Stay with her longtime friend and tour mate after they both found themselves going through breakups at the exact same time. Late one night at Grant Street Studios, they sat at the piano trading lines, not as fictional characters but as two people who knew exactly what it felt like to be standing at love’s edge. The result is a heartfelt duet about holding on for just one more night — not to avoid the ending, but to see if something worth saving is still there.

Laid down with pure fire at Grant Street Studios, Somebody New is Kendra in full dance-floor mode–a pulsing, hook-heavy track built for late nights, bright lights, and just the right amount of recklessness. It’s all groove, all attitude, and impossible not to move to.

Kendra wrote I’m Still Yours alone in her apartment on a rainy Sunday, a year to the day after her breakup. She’d finally boxed up the last of his things — the clothes, the cards, the notes — and thought she was ready to move forward. But later that night, a song they used to dance to came on the radio, and all the walls she’d built cracked wide open. She went straight to Grant Street Studios the next morning, sat down at the piano, and poured every ounce of that realization into the mic — that you can change the locks, burn the letters, and still belong to someone you can’t forget.

Kendra wrote If I Don’t after a moment she calls “the longest three seconds of my life” — standing in the doorway as someone she loved was about to walk out, knowing exactly what she wanted to say but feeling every word stick in her throat. She left Grant Street Studios that night without recording, only to return the next morning with fresh resolve. Sitting at the piano, she poured the ache of missed chances into a soaring ballad about fear, silence, and the cost of not speaking your truth. 

Kendra penned Shine Anyway after a particularly rough week on tour when, as she puts it, “every door seemed to slam at once.” Instead of letting it break her stride, she sat in the corner of Grant Street Studios with a coffee, scribbled down every “too much” she’d ever been called, and turned them into a hook that made her grin. The result is a bright, defiant anthem with a beat you can’t ignore — the sound of choosing joy and light no matter who tries to dim it.