OUT OF FRAME,

By Glass Runner

Glass Runner’s Out of Frame is pure 1986 neon melancholy — synths glowing like city lights, guitars cutting through the haze, and choruses built for midnight drives. From the first-jolt rush of Midnight Arcade to the bittersweet pulse of Rebecca and the cinematic ache of Just a Game, the album turns heartbreak and hope into widescreen pop drama. Every track feels like a flicker of memory you can’t quite shake.

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Midnight Arcade

Tracked at GSR studios just after midnight, Midnight Arcade captures Glass Runner at their sharpest–chasing that perfect synth line while the city still buzzed outside. Rumor has it the final take happened on the first try, with the band fresh from an all-night run at their favorite boardwalk arcade.

Catching Up to You

Recorded late one summer night at Grant Street Studios, Catching Up to You is Glass Runner at their most personal. Written about a lifelong friend who was always just out of reach, it’s a rush of synth and emotion–the sound of chasing someone who makes you run faster.

Out of Frame

Recorded under low lights at Grant Street Studios, Out of Frame drifts between dream and reality–a synth-laced meditation on the moments that slip away but never truly leave. Glass Runner turns missed connections into moving pictures, every note a soft flicker on an endless reel.

Seconds Ago

Captured in one unbroken take at Grant Street Studios, Seconds Ago is Glass Runner at their most delicate — slow, shimmering synth lines wrapping around a story of words left unsaid. It’s the sound of a moment slipping through your fingers before you even know it’s gone.

Better Than Before

Tracked under the glow of neon racks at Grant Street Studios, Better Than Before is Glass Runner breaking out of the shadows with a rush of synth, pulse, and pure second-chance fire. Every hook is a victory lap, every chorus a shot of daylight–the sound of coming back stronger than you ever thought you could.

It’s OK

Recorded in a single late-night session at Grant Street Studios, It’s OK is Glass Runner’s hand on your shoulder — a mid-tempo synth lifeline for the moments you don’t think you can push through. Soft pads, steady beats, and a chorus that feels like breathing again make it one of the band’s most quietly powerful tracks.

Rebecca

Laid down in the amber-lit Room B at Grant Street Studios, Rebecca is Nico’s open diary set to synth and steady groove — a mid-tempo confession about the first time his heart ever caught fire. Every verse is a snapshot, every chorus a rush, as Glass Runner turns one teenage name into an eternal anthem.

Just a Game

Cut deep into the night at Grant Street Studios, Just a Game shows Glass Runner at their most cinematic — all pulsing synths, shadowy verses, and a chorus that hits like betrayal in slow motion. It’s the sound of realizing love was never love at all… just a perfect performance with a broken ending.

One More Night

Laid down in the violet glow of Grant Street Studios, One More Night is Glass Runner’s plea caught between hope and goodbye. Mid-tempo synths pulse like a second hand, wrapping around lyrics that beg for just one last spark before it all slips away. It’s equal parts urgency and surrender.

Back to You

Cut in the early hours at Grant Street Studios, Back to You is Glass Runner in full stride — bright synths, sharp guitars, and a hook that refuses to let go. It’s the soundtrack to every time you swore you’d moved on, only to find yourself right back where you started.