Fitzroy’s “Happy You Left” is a sharp, ironic anthem dressed in jangly guitars and wry British wit. It’s a breakup song without heartbreak — leaning instead into dry relief, the strange comfort of emptiness, and the freedom that comes when the drama finally walks out the door.

Fitzroy deliver their signature irony with “It’s Still Raining,” a jangly, laid-back pop track that shrugs at the chaos outside and celebrates the comfort of staying put. It’s equal parts wry observation and cozy defiance, choosing tea, vinyl, and solitude over the rush of broken plans.

With jangly guitars and a bittersweet grin, “Sunday Jacket” turns a simple piece of clothing into a whole story about memory, habit, and identity. Fitzroy capture the quiet humor of old routines — how a worn-out jacket can hold pieces of the past, even when the future never quite shows up.

With jangly guitars and lyrical wit, “Walking Down” captures the ache of retracing old steps where love once lived. Fitzroy turn cracked pavements, forgotten shopfronts, and neon-lit nights into metaphors for memory, regret, and the ghosts of unfinished conversations. It’s bittersweet, melodic, and as ironic as it is heartfelt.

Bright guitars and wry humor drive Fitzroy’s “Just Her Type” — a tongue-in-cheek pop tune about being almost enough for someone who thrives on criticism. With ironic jabs about vinyl, films, and fashion, it’s equal parts smirk and sigh, jangly and bittersweet, the kind of track that feels tailor-made for rolling your eyes with a grin.

Fitzroy’s “Umbrella for One” paints a picture of quiet loneliness, where carrying an umbrella becomes less about the rain and more about the absence beside you. With jangly guitars and ironic tenderness, it captures how habits linger long after love has gone, making storms feel less like weather and more like memory.

With biting wit and jangly charm, Fitzroy’s “What a Perfect Waste” turns heartbreak into irony. It’s a story of cologne, pressed shirts, and careful plans that went nowhere — the kind of song that makes disappointment feel almost cinematic. Both cheeky and aching, it’s a pop gem for anyone who’s been overdressed for being overlooked.

Fitzroy’s “Out of Tune” is a bittersweet pop tune wrapped in jangly guitars and wry self-awareness. It tells the story of a love (and a duet) that never quite lined up — missed notes, dropped cues, and laughter masking the ache. Equal parts tender and ironic, it’s the kind of track that makes imperfection feel perfectly human.

Fitzroy’s “Everyone Leaves Early” is a wistful jangle-pop gem about bad timing and being left behind. With sharp irony and soft melancholy, it captures the feeling of always missing the moment — jokes unheard, songs changed, photos where you’re out of frame. It’s bittersweet, but quietly defiant in the end.

Fitzroy’s “All the Way Down” takes heartbreak and frames it as quiet acceptance — not a crash, but a landing that both sides saw coming. With jangly guitars and ghostlike harmonies, it’s a reflective song about endings that aren’t battles, just the slow unraveling of something once beautiful.